the attempt to reduce compositions down to their barest minimal lines and hues defines these paintings. There is often the sense of a landscape coming into being, suffused with early light or the indeterminacy of dusk. The quality of transitional light also evokes the bleached-out intensity of sunlight on the horizon by the sea, where the focal point disappears. The floating softness of the image allows the viewer to move their gaze within it as one would upon a hazy view'
Cherry Smyth.
SOLO EXHIBITIONS:
2023 Studio Gallery, Australia
Gallery At Home, UK
2022 Cadogan Contemporary, London
2021 Northcote Gallery, London
2020 Julia Campbell Carter, London
2007-19 Northcote Gallery, London
2006 Adam Gallery, London
2005 Northcote Gallery, London
2004 Adam Gallery, London
Northcote Gallery, London
2003 Gallery One, London
2003 Vertigo Gallery, London
2002 Northcote Gallery, London
2001 White Gallery, Brighton
2000 E1 Gallery, London
1997 Zella Gallery, London
EXHIBITIONS:
2020
Cadogan Contemporary, New Year Show, London
2019
Nadia Waterfield Gallery, Andover
2017
ING Discerning Eye, Invited Artist
Gallery 57, Arundel, Gaze, Glimps: A Look at Landscape
2016
Royal Academy Summer Exhibition, London
2015
The Discerning Eye, London
Royal Academy Summer Exhibition, London
2013
National Open Art Competition, RCA, London
Starta Art fair, Saatchi Gallery
32 Paintings, Phoenix Gallery, Brighton
2012
AAF Battersea.
2011
ArtLondon
Art Hamptons, New York
2010
Art London
Brussels Art Fair
RESIDENCIES:
1996 Lowick House Print Workshop