About


the attempt to reduce compositions down to their barest minimal lines and hues defines these paintings. There is often the sense of a landscape coming into being, suffused with early light or the indeterminacy of dusk. The quality of transitional light also evokes the bleached-out intensity of sunlight on the horizon by the sea, where the focal point disappears. The floating softness of the image allows the viewer to move their gaze within it as one would upon a hazy view'

Cherry Smyth.



SOLO EXHIBITIONS:

2023 Studio Gallery, Australia

         Gallery At Home, UK


2022 Cadogan Contemporary, London


2021 Northcote Gallery, London


2020 Julia Campbell Carter, London


2007-19 Northcote Gallery, London


2006 Adam Gallery, London

2005 Northcote Gallery, London

2004 Adam Gallery, London

         Northcote Gallery, London

2003 Gallery One, London

2003 Vertigo Gallery, London

2002 Northcote Gallery, London

2001 White Gallery, Brighton

2000 E1 Gallery, London

1997 Zella Gallery, London


EXHIBITIONS:

2020

Cadogan Contemporary, New Year Show, London


2019

Nadia Waterfield Gallery, Andover


2017

ING Discerning Eye, Invited Artist

Gallery 57, Arundel, Gaze, Glimps: A Look at Landscape 


2016

Royal Academy Summer Exhibition, London


2015

The Discerning Eye, London

Royal Academy Summer Exhibition, London


2013

National Open Art Competition, RCA, London

Starta Art fair, Saatchi Gallery

32 Paintings, Phoenix Gallery, Brighton


2012

AAF Battersea.


2011

ArtLondon

Art Hamptons, New York 


2010

Art London

Brussels Art Fair


RESIDENCIES:

1996 Lowick House Print Workshop






Share this